Ron McCurdy’s performance of

The Langston Hughes Project

A multimedia concert performance of Langston Hughes’ kaleidoscopic Jazz poem suite, “Ask Your Mama: 12 Moods for Jazz.” (Hughes’ homage to the struggle for artistic and social freedom at home and abroad at the beginning of the 1960s).

By way of videography, this concert performance links the words and music of Hughes’ poetry to topical images of Ask Your Mama’s people, places, and events, and to the works of the visual artists Langston Hughes admired or collaborated with most closely over the course of his career. Together the words, sounds, and images recreate a magical moment in our cultural history, which bridges the Harlem Renaissance, the post World War II Beat writers’ coffeehouse jazz poetry world, and the looming Black Arts performance explosion of the 1960s.

About the Langston Hughes Project

Jazz was a cosmopolitan metaphor for Langston Hughes, a force for cultural convergence beyond the reach of words, or the limits of any one language.

It called up visual analogues for him as well, most pointedly the surrealistic techniques of painterly collage and of the film editing developed in this country in the 1930s and 40s, which condensed time and space, conveyed to the viewer a great array of information in short compass, and which offered the possibility of suggesting expanded states of consciousness, chaotic remembrances of past events or dreams — through montage. “To me,” Hughes wrote, “jazz is a montage of a dream deferred. A great big dream — yet to come — and always yet to become ultimately and finally true.”

By way of videography, this concert performance links the words and music of Hughes’ poetry to topical images of Ask Your Mama’s people, places, and events, and to the works of the visual artists Langston Hughes admired or collaborated with most closely over the course of his career — the African-inspired mural designs and cubist geometries of Aaron Douglas, the blues and jazz-inspired collages of Romare Bearden, the macabre grotesques of Meta Warrick Fuller and the rhythmic sculptural figurines and heads and bas reliefs of Richmond Barthe, the color blocked cityscapes and black history series of Palmer Hayden and Jacob Lawrence. Together the words, sounds, and images recreate a magical moment in our cultural history, which bridges the Harlem Renaissance, the post World War II Beat writers’ coffeehouse jazz poetry world, and the looming Black Arts performance explosion of the 1960s.

Ask Your Mama was dedicated to Louis Armstrong, “the greatest horn blower of them all,”

and to those of whatever hue or culture of origin who welcomed being immersed in the mysteries, rituals, names, and nuances of black life not just in America but in the Caribbean, in Latin America, in Europe and Africa during the years of anti-colonial upheaval abroad and the rising Freedom Movement here at home. Not only the youthful Martin Luther King, Jr. but the independence leaders of Guinea and Nigeria and Ghana and Kenya and the Congo fill the chants and refrains of Hughes’s epic poem.

Ask Your Mama: 12 Moods for Jazz

Originally, Langston Hughes created Ask Your Mama in the aftermath of his participation as an official for the five-day Newport Jazz Festival of July 1960, where he shared the stage with such luminaries as Louis Armstrong, Dizzy Gillespie, Horace Silver, Dakota Staton, Oscar Peterson, Lambert, Hendricks, & Ross, Otis Spann, Ray Charles, and Muddy Waters.

The musical scoring of the poem was designed to serve not as mere background for the words but to forge a conversation and a commentary with the music.

Though Hughes originally intended to collaborate with Charles Mingus, and then Randy Weston, on the full performance of his masterwork, it remained only in the planning stages when Langston Hughes died in 1967. Its recovery now in word, music, and image provides a galvanizing experience for audiences everywhere.

Rave Reviews & Testimonials!

“Although interweaving of verse, music and images is not unusual these days, few [Ron McCurdy] have created such a poignant, eloquent and exceptionally soulful work. 

– Chris Walker, Jazz Times UK

“…a raging, inspired revival that would make Langston Hughes proud…Ask Your Mama is as relevant today as it was in 1960.”
The Guardian

“…Ron McCurdy’s setting of the text…brought the house down at the Barbican on the penultimate night of the London Jazz Festival…his aim was to ‘spread the gospel of Langston Hughes’ and he certainly achieved that. He had a capacity crowd hanging on the poet’s every word and on their feet, cheering themselves hoarse come the end. He got his Baptist church atmosphere too – there were plenty of “Amens”.  – Jazzwise Magazine

Winner of the Jazz FM 2016 Awards!

“The Langston Hughes Project” blends passionate spoken word and original soul, swing and gospel music composed by McCurdy with a vivid visual backdrop featuring the works of African American visual artists who Langston Hughes either admired or collaborated with. Honouring the poet was not the only objective for McCurdy and Ice T’s project. The projects secondary purpose was to highlight the fact that music had become “too segregated” from other art forms and was trying to blur the lines by creating a true multimedia performance with a clear social message.JAZZ FM

“…the evening’s focus was the imaginative intelligence, rhythmic magic and contemporary relevance of Hughes’s jazz-infused poetry which had been so warmly brought to life. The performance won its ovation, and the show deserves a run.”
– Financial Times

The Langston Hughes Project was a tremendous success at Clemson University. Dr. Ron McCurdy and colleagues have created an amazing multi-media performance of Langston Hughes: Ask Your Mama: 12 Moods for Jazz. The use of the spoken word, visually stimulating images from the Harlem Renaissance, and great music performed by their jazz quartet, made for a fantastic celebration of life and creativity. Dr. McCurdy’s masterclass for Clemson’s jazz ensemble was definitely a highlight of the students’ musical experiences this year, for he is an experienced educator who knows how to communicate with students. I highly recommend this project to anyone who wants an intellectually stimulating and musically electrifying performance.

Lillian U. Harder
Director, Brooks Center for the Performing Arts, Clemson University

Huntington Library

Ron McCurdy and the Langston Hughes Project presented a polished and vibrant program celebrating the poetry of Langston Hughes and the richness of the Harlem Renaissance! The music was phenomenal and the spoken word powerful. The audience was completely engaged and left the performance feeling energized and uplifted!

Jennifer Phillips
Coordinator of Continuing Education, Huntington Library

Jazz Arts Group of Columbus

The optimism of Langston Hughes was exposed to us in “Ask Your Mama” as we discovered the people, places and events cleverly portrayed as a valuable part of the rich history of the road to freedom.

Judy Shafer

Director of Education, Jazz Arts Group of Columbus

Skirball Cultural Center

Wow! What an amazing show tonight – it got a standing ovation. Not only are Mr. Hughes’s words so timely still, the music was amazing and the visuals on the screen quite powerful and insightful. Not to mention parallel alignment with the mission statement. Wish we could have done a second show.

Teresa Enroth
Producer, Skirball Cultural Center

Cal Poly University San Luis Obispo

The Langston Hughes Project is a truly magnificent event. It combines quality entertainment, with key educational information. It is uplifting and truly special, and is attractive and valued by all segments of the community. A wonderful event that we definitely plan on bringing back to our Cal Poly community.

Dr. Ken Barclay
Professor Coordinator of the Artist Series , Cal Poly University San Luis Obispo

Arizona State University

The project is a ‘celebration’ of the African-American experience, yet it is brutal in its honesty. It is a lesson in literature, music, culture, history, and, ultimately, human rights. I have never been so entertained, educated, AND inspired. Our campus did not stop talking about the event and what it meant on a personal level for several weeks after the performance. The professors who had students in the audience reported to me that it was the perfect out of class activity, as it brought life to the subject matter and deepened understanding.

Mike Mader
Assistant Dean of Student Affairs, Arizona State University

Ron McCurdy Quintet

Download the album digitally on iTunes
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Album Details

1 Mood 1: Cultural Exchange (Live) 7:02
2 Afronato (Live) 4:08
3 Mood 2: Ride Red Ride (Live) 1:48
4 Mood 3: Shade of Pigmeat (Live) 2:57
5 In a Spiritual Place (Live) 2:11
6 Mood 4: Ode to Dinah (Live) 8:09
7 Mingus Time (Live) 1:00
8 Mood 5: Blues in Stereo (Live) 2:30
9 Louis’ Trumpet (Live) 0:59
10 Mood 6: Horn of Plenty (Live) 6:45
11 Meet Me At Congo Square (Live) 4:21
12 Mood 7: Gospel Cha Cha (Live) 3:37
13 Mood 8: Is It True? (Live) 2:55
14 Mood 9: Ask Your Mama (Live) 3:48
15 Mood 10: Bird in Orbit (Live) 5:47
16 Madeleine’s Lullaby (Live) 3:43
17 Mood 11: Jazztet Muted (Live) 1:36
18 Hughes’ Blues (Live) 2:55
19 Mood 12: Show Fare, Please (Live) 1:55
20 Show Fare, Finale (Live) 4:47

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Sizes



Ron McCurdy's April in Paris

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Album Details

1 Brazasia | Yutaka Yokokura 5:13
2 In the Winelight | Grover Washington 5:10
3 Even the Rain | Richard Page 6:31
4 April in Paris | Vernon Duke 4:42
5 Hush, Hush, Hush | Paula Cole 4:21
6 Tight | Betty Carter 5:19
7 Jazz Crimes | Joshua Redman 4:59
8 Seven Steps to Heaven | Miles Davis/Victor Feldman 6:00
9 So What | Miles Davis 4:14
10 Jacket Town | Jimmy Haslip 4:48

Show Schedule 2017

January 5-7 Jazz Educator’s Conference (New Orleans)
January 7 Artist Entrepreneur Presentation (JEN Conference)
January 8 Arts Presenters Showcase (APAP Conference,New York)
January 9-15 YoungArts Week (Miami, FL)
January 21 Ocean Side Library (San Diego, CA) (LHP)
January 26 Metro Community College (Omaha, NE) (LHP)
January 28 Disney Auditions/The Record Company
January 29 Disney Auditions/Pearl Studios

February 1 College of Charleston (Charleston, SC) (LHP)
February 2 Clemson University (Clemson, SC) (LHP)
February 3-12 Grammy Week (Los Angeles)
February 15 Nashville State University-(tentative) (LHP)
February 16 Chattanooga State College (LHP)
February 18 Disney Auditions/Florida State Univ.
February 19 Disney Auditions/George Mason University
February 22 Winona State University, Winona, MN (LHP)
February 24 Villanova University/Keynote Speaker
February 25 Disney Auditions/Columbia College (Chicago)
February 26 Disney Auditions/TCU (Dallas)
February 27 SW College Los Angeles (LHP)
February 28 Long Beach City College (LHP)

March 2 Huston-Tilllotson University Austin, TX (LHP)
March 4 Disney Audition/Disneyland (Anaheim)
March 8 Huntington Library Los Angeles (LHP)
March 13-15 Salt Lake City- 5 schools (SLC, UT) (LHP)
March 22 LSU Baton Rouge, LA (LHP)

April 6 Kansas City Jazz Museum (LHP)
April 11-14 Arizona Schools/Museum – 5 campuses (LHP)
April 19 Montclair University New Jersey (LHP)
April 21-22 Banniff- Jazz Festival
April 28-29 WKU Bowling Green, KY (LHP)

Now Accepting Bookings for 2018!

Educational/Community Outreach activities include:  Local Poetry Slam contest (winners have their poems set to music by Ron McCurdy, and they get to open the show), Numerous Master Classes and Workshops conducted by Dr. Ron McCurdy or Use of well-known local celebrity as guest narrator.

Booking Inquiries

Ron McCurdyMilesCliff Productions
ronmccbop@aol.com
c. 818.429.2494

For Bookings:
Fran Heller | BiCoastal Productions
fran@bicoastalproductions.com
o. 212.268.6969 c. 917.686.3313
www.bicoastalproductions.com

Contact Us at The Langston Hughes Project